Upstage

Marischka Klinkhamer

I am currently making instalations and performance in the virtual world of Secondlife. This has been my prefered creative platform for the last two years because of the possiblity to meet international artists and bring together most 2 and 3D mediums, like multi-media, sculpture and animation, in real time.

I am interested in that which lays between, the area where binary codes and constructs collapse and cease to function. Gender bending and blending is in my experience the only area that truly confronts and breaks down all these codes.

My Sites: 

Design and animation of Metropolis robot for a virtual remake of Metropolis in Secondlife:
http://www.youtube.com/watch?v=pc7u25HH8G0
http://www.facebook.com/album.php?id=1404186184&aid=2019248

Animation of workers unrest scene for Metropolis (only the unrest scene animation is my work):
http://diabolus.ning.com/video/the-making-of-metropolis-6
An edit that another machinima maker made from the same scene:
http://vimeo.com/5981841

Artist in residence work at Diabolis in Secondlife (The avatar with the nologo t-shirt on is not me!)
http://issuu.com/diabolus/docs/carp_creators_sca_shilova

Different instalations - more of the same:
http://www.flickr.com/photos/21068878@N08/

Upstage:
http://upstage.org.nz/blog/?p=85
http://www.facebook.com/home.php?#/album.php?aid=2042265&id=1404186184



Marlena Gesine Corcoran

lyric, drama, sound, memoir, myth, story, ASL, literacy, Plaintext Players, sign language, Orpheus, Isis, Athena, Helena, the story of salvation, eighteen, nineteen, twenty, twenty-one, twenty-two, twenty-three, twenty-four, twenty-five



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